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ANTİK DÜNYADAN ÇAĞDAŞ DÜNYAYA: MICHAEL LONGLEY’NİN HOMEROS DESTANLARINDAN YAPTIĞI ÇEVİRİLERDE ŞİDDET GERÇEĞİ

Year 2015, Volume: 18 Issue: 33, 55 - 73, 01.06.2015
https://doi.org/10.31795/baunsobed.645452

Abstract

Kuzey İrlanda’nın önde gelen şairlerinden Michael Longley, Homeros’un İlyada ve Odysseia destanlarından yaptığı çeviriler ile hem kendi yazın yolculuğuna hem de ülkesinde yaşanan politik karmaşaya ışık tutar. Bu çeviri şiirlerde, özgün anlatıları parçalayarak ve bölerek ya da yeniden birleştirerek adeta yeni metinler yaratır. Sözü edilen metinler iki boyutta değerlendirilebilir. Birincisinde, Longley, Homeros ile kendisini karşılaştırarak dil ve sanat üzerinden onunla bir yarışa girer; ustasını yüceltirken kendisini de büyütür. İkincisi, şiddetin insanlık tarihi kadar eski olduğu gerçeğine ilişkindir. Şair bu gerçeği vurgulamak için Homeros metinlerindeki şiddet ve savaş sahnelerini, XX. yüzyılın ikinci yarısında Kuzey İrlanda’da yaşanan karmaşayı anlatmada kullanır. Böylece geçen onca zamana karşın insanoğlunun uygarlaşamadığına, şiddetin fırsat bulduğu her yerde ve zamanda ortaya çıkan evrensel bir sorun olduğuna işaret eder. Longley, Odysseus ve Hektor üzerinden kini ve öç almayı dizelerine taşırken, Troya Savaşı sırasında Priamos ve Akhilleus arasında varılan ateşkes üzerinden İrlanda Sorunu’na ilişkin kendi çözümünü sunar: Yaşananları unutmadan ve geçmişe takılıp kalmadan bir uzlaşı kültürü oluşturmak, bağışlayıcılığı öne çıkarıp başkalarıyla duygudaşlık geliştirmek ve sorunun çözümüne yönelik kararlı adımlar atmak

References

  • Andrews, E. K. (2000). “Conflict, violence and ‘The fundamental interrela- tedness of all things’ in the poetry of Michael Longley”, Alan J. Peaco- ck & Kathleen Devine (eds.), The Poetry of Michael Longley (ss. 73-99), Great Britain: Colin Smythe Limited.
  • Brearton, F. (2006). Reading Michael Longley. Northumberland: Bloodaxe Bo- oks.
  • Brearton, F. (Spring 1997). “Walking forwards into the past: An interview with Michael Longley”, Irish Studies Review, No. 18, 35-39.
  • Broom, S. (2002). “Learning about dying: Mutability and classics in the po- etry of Michael Longley”, New Hibernia Review, Vol. 6, No. 1, 94-112.
  • Brown, J. (2002). In the Chairs: Interviews with Poets from the North of Ireland, Cliff of Moher-County Clare: Salmon Publishing.
  • Cieniuch, M. (2010). “To will one myth out, to will a different one into his- tory –Contemporary Irish history written through the classics in the poetry of Michael Longley and Seamus Heaney”, Liliana Sikorska (ed.), History is Mostly Repair and Revenge: Discourses of/on History in Literature in English, (Vol.1, ss.113-), Frankfurt: Peter Lang.
  • Dillon, M. (1989). The Shankill Butchers: A Case Study of Mass Murder, Lon- don: Hutchinson.
  • Healy, D. (July 1995). “An interview with Michael Longley”, The Southern Review, 31/3, 557-561.
  • Homeros (2004). İlyada, çev. Azra Erhat & A. Kadir, (16. Basım), İstanbul: Can Yayınları.
  • Homeros (2003). Odysseia, Çev. Azra Erhat & A. Kadir, (14. Basım), İstanbul: Can Yayınları.
  • Hughes, E. (March 2001). “Profile: A poet in his prime”, Fortnight, No. 393, 29-31.
  • Longley, E. (2000). Poetry and Posterity, Tarset: Bloodaxe.
  • Longley, M. (2006). Collected Poems, London: Jonathan Cape.
  • Longley, M. (Winter 1995). “Memory and acknowledgement”, The Irish Re- view (1986- ), No: 17/18, 153-159.
  • Matthews, S. (1997). Irish Poetry: Politics, History, Negotiation: The Evolving Debate, 1969 to the Present, Basingstoke: Macmillan.
  • McDonald, P. (1998-9). “An interview with Michael Longley: “Au revoir, oeuvre”, Thumbscrew, No.12, 5-14.
  • Novosel, T. (2013). Northern Ireland’s Lost Opportunity: The Frustrated Promise of Political Loyalism. London, GBR: Pluto Press.
  • Potts, D. L. (2011). Contemporary Irish Poetry and the Pastoral Tradition, Co- lumbia, Missouri: University of Missouri Press.
  • Randolph, J. A. & Archibald D. (2003). “Introduction”, Colby Quarterly, Vol. 39, No: 3, 189-192.
  • Russell, R. R. (2010). Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Notre Dame, Indiana: University of Notre Dame University.
  • Russell, R. R. (September 2003). “Inscribing cultural corridors: Michael Longley’s contribution to reconciliation in Northern Ireland”, Colby Quarterly, Vol. 39, No: 3, 221-240.
  • Volsik, P. (2007). “That dark permanence of ancient forms: Negotiating with the epic in Northern Irish poetry of the troubles”, Tim Kendall (ed.), The Oxford Handbook of British and Irish War Poetry (ss. 669-683), Oxford-New York: Oxford University Press.
  • Wilmer, C. (1994). Poets Talking, Manchester: Carcenet.

From Antiquity to the Contemporary World: The Reality of Violence in Michael Longley’s Translations from Homeric Epics

Year 2015, Volume: 18 Issue: 33, 55 - 73, 01.06.2015
https://doi.org/10.31795/baunsobed.645452

Abstract

Michael Longley, one of Northern Ireland’s foremost poets, sheds light both on his literary journey and the political chaos in his country through his translations from Homer’s Iliad and Odyssey. In these translated poems, he creates almost new texts by breaking and dividing the original narratives or interweaving them. These texts can be evaluated in two dimensions. In the first, comparing himself with Homer, Longley vies with him through language and art; when he glorifies his master he aggrandises himself as well. The second pertains to the reality that violence is as old as the history of humanity. To emphasise this reality, the poet uses the scenes of violence and war in Homer’s texts to tell the chaos in the second half of the 20th century in Northern Ireland, thus pointing out that the man cannot civilise himself in spite of the time elapsed and that the violence is a universal problem which emerges at any time and place when and where it finds an opportunity. While conveying hatred and revenge to his lines through Odysseus and Hector, Longley proffers his own solution to end the Irish Troubles through the ceasefire between Achilles and Priam during the Trojan War: To establish a reconciliation culture by neither forgetting nor living in the past, to develop empathy with the others by highlighting forgiveness and to take resolute steps for the solution of the problem.

References

  • Andrews, E. K. (2000). “Conflict, violence and ‘The fundamental interrela- tedness of all things’ in the poetry of Michael Longley”, Alan J. Peaco- ck & Kathleen Devine (eds.), The Poetry of Michael Longley (ss. 73-99), Great Britain: Colin Smythe Limited.
  • Brearton, F. (2006). Reading Michael Longley. Northumberland: Bloodaxe Bo- oks.
  • Brearton, F. (Spring 1997). “Walking forwards into the past: An interview with Michael Longley”, Irish Studies Review, No. 18, 35-39.
  • Broom, S. (2002). “Learning about dying: Mutability and classics in the po- etry of Michael Longley”, New Hibernia Review, Vol. 6, No. 1, 94-112.
  • Brown, J. (2002). In the Chairs: Interviews with Poets from the North of Ireland, Cliff of Moher-County Clare: Salmon Publishing.
  • Cieniuch, M. (2010). “To will one myth out, to will a different one into his- tory –Contemporary Irish history written through the classics in the poetry of Michael Longley and Seamus Heaney”, Liliana Sikorska (ed.), History is Mostly Repair and Revenge: Discourses of/on History in Literature in English, (Vol.1, ss.113-), Frankfurt: Peter Lang.
  • Dillon, M. (1989). The Shankill Butchers: A Case Study of Mass Murder, Lon- don: Hutchinson.
  • Healy, D. (July 1995). “An interview with Michael Longley”, The Southern Review, 31/3, 557-561.
  • Homeros (2004). İlyada, çev. Azra Erhat & A. Kadir, (16. Basım), İstanbul: Can Yayınları.
  • Homeros (2003). Odysseia, Çev. Azra Erhat & A. Kadir, (14. Basım), İstanbul: Can Yayınları.
  • Hughes, E. (March 2001). “Profile: A poet in his prime”, Fortnight, No. 393, 29-31.
  • Longley, E. (2000). Poetry and Posterity, Tarset: Bloodaxe.
  • Longley, M. (2006). Collected Poems, London: Jonathan Cape.
  • Longley, M. (Winter 1995). “Memory and acknowledgement”, The Irish Re- view (1986- ), No: 17/18, 153-159.
  • Matthews, S. (1997). Irish Poetry: Politics, History, Negotiation: The Evolving Debate, 1969 to the Present, Basingstoke: Macmillan.
  • McDonald, P. (1998-9). “An interview with Michael Longley: “Au revoir, oeuvre”, Thumbscrew, No.12, 5-14.
  • Novosel, T. (2013). Northern Ireland’s Lost Opportunity: The Frustrated Promise of Political Loyalism. London, GBR: Pluto Press.
  • Potts, D. L. (2011). Contemporary Irish Poetry and the Pastoral Tradition, Co- lumbia, Missouri: University of Missouri Press.
  • Randolph, J. A. & Archibald D. (2003). “Introduction”, Colby Quarterly, Vol. 39, No: 3, 189-192.
  • Russell, R. R. (2010). Poetry and Peace: Michael Longley, Seamus Heaney, and Northern Ireland, Notre Dame, Indiana: University of Notre Dame University.
  • Russell, R. R. (September 2003). “Inscribing cultural corridors: Michael Longley’s contribution to reconciliation in Northern Ireland”, Colby Quarterly, Vol. 39, No: 3, 221-240.
  • Volsik, P. (2007). “That dark permanence of ancient forms: Negotiating with the epic in Northern Irish poetry of the troubles”, Tim Kendall (ed.), The Oxford Handbook of British and Irish War Poetry (ss. 669-683), Oxford-New York: Oxford University Press.
  • Wilmer, C. (1994). Poets Talking, Manchester: Carcenet.
There are 23 citations in total.

Details

Primary Language Turkish
Journal Section Research Article
Authors

Mümin Hakkıoğlu

Publication Date June 1, 2015
Published in Issue Year 2015 Volume: 18 Issue: 33

Cite

APA Hakkıoğlu, M. (2015). ANTİK DÜNYADAN ÇAĞDAŞ DÜNYAYA: MICHAEL LONGLEY’NİN HOMEROS DESTANLARINDAN YAPTIĞI ÇEVİRİLERDE ŞİDDET GERÇEĞİ. Balıkesir Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 18(33), 55-73. https://doi.org/10.31795/baunsobed.645452

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